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慶應義塾OCW >> コース一覧 >>国際センター >> 美術を「よむ」―日本美術史入門(2006秋学期)

美術を「よむ」―日本美術史入門(2006秋学期)

【講義一覧】

[01]  Introduction: Overview of the Course
[02]

Constructing "Japanese Art"

READING: Christine Guth, "From Temple to Tearoom," in Art, Tea, and Industry (1993).
[03]

From Edo to Meiji

READING: Ellen Conant, "Tradition in Transition, 1868-1890," in Nihonga (1995).
[04]

Okakura Kakuz~o and the Aesthetic Ideology of Asia

READING: Excerpts from Okakura Kakuz~o, The Ideals of the East (1903)
[05]

Body and the Nude

READING: Norman Bryson, "Westernizing Bodies: Women, Art, and Power in Meiji Y~oga" in Gender and Power (2003).
[06]

Urban Spectacle and the Modernist Vision

READING: Miriam Silverberg, "The Modern Girls as Militant," in Recreating Japanese Women (1991).
[07]

The Colonial Gaze: Representing Otherness in Imperial Japan

READING: Kim Hyeshin, "Images of Women in National Art Exhibitions during the Korean Colonial Period," in Gender and Power (2003)

[08] Visual Culture of Wartime and Occupied Japan
[09]

Action and Expression: the Gutai Association

READING: Sinichiro Osaki, "Body and Place: Action in Postwar Art in Japan," in Out of Actions (1998).
[10]

"Anti-Art" in the 60s
READING: Alexandra Munroe, "Morphology of Revenge: The Yomiuri Indépendent Artists and Social Protest Tendencies in the 1960s," in Japanese Art After 1945 (1994).

[11]

The Postwar Unconscious: Performance and Photography

READING: Susan Klein, "The But¯o Aesthetic and a Selection of Techniques," in Ankoku But^o (1988).
[12]

Architecture and the Public Space

READING: Kenneth Frampton, "Twilight Gloom to Self-Enclosed Modernity: Five Japanese Architects," in Tokyo: Form and Spirit (1986).
[13]

Image in the Age of Digital Manipulation: the 90s and beyond

READING: Norman Bryson, "Morimura: 3 READINGs," in Morimura Yasumasa (1996)

 

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